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Pete Bridgwood Photography
PORTFOLIOS
NEW RELEASES
THE LAND PORTFOLIO
THE SEA PORTFOLIO
PERSONAL WORK
INFORMATION
MAKING PHOTOGRAPHS
MAGAZINE COLUMN
PRINT ENQUIRIES
EXHIBITIONS
BLOG
PRINTS
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NEW RELEASES
THE LAND PORTFOLIO
THE SEA PORTFOLIO
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Folder: INFORMATION
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FINE-ART PRINTS Deep Purple
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Deep Purple

from £260.00

It was a blustery overcast evening on Stanage Edge with no promise of any tempting tints at dusk. As time passed, and darkness developed, I became convinced I would be leaving without an image. Landscape photographers spend hours, waiting for the light, often with eventual disappointment, but occasionally with the euphoric rapture that comes when all the elements magically come together like this. I decided the Trig Point obelisk would create a useful focal point, then chose a composition which emphasised the textural and colour relationships between the shapes of the sprigs of heather and the clouds on the horizon. What I had predicted to be a less than memorable dusk had unexpectedly transformed into a mesmerising display of colour.

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It was a blustery overcast evening on Stanage Edge with no promise of any tempting tints at dusk. As time passed, and darkness developed, I became convinced I would be leaving without an image. Landscape photographers spend hours, waiting for the light, often with eventual disappointment, but occasionally with the euphoric rapture that comes when all the elements magically come together like this. I decided the Trig Point obelisk would create a useful focal point, then chose a composition which emphasised the textural and colour relationships between the shapes of the sprigs of heather and the clouds on the horizon. What I had predicted to be a less than memorable dusk had unexpectedly transformed into a mesmerising display of colour.

It was a blustery overcast evening on Stanage Edge with no promise of any tempting tints at dusk. As time passed, and darkness developed, I became convinced I would be leaving without an image. Landscape photographers spend hours, waiting for the light, often with eventual disappointment, but occasionally with the euphoric rapture that comes when all the elements magically come together like this. I decided the Trig Point obelisk would create a useful focal point, then chose a composition which emphasised the textural and colour relationships between the shapes of the sprigs of heather and the clouds on the horizon. What I had predicted to be a less than memorable dusk had unexpectedly transformed into a mesmerising display of colour.

available as:

  • Giclée (pigment based inkjet), C-Type (traditional photographic) or Canvas

  • free shipping on Giclée prints worldwide

  • all customs duties, handling fees and import sales taxes included

  • secure payment by PayPal, or card

  • free shipping on C-Types in Acrylic and Canvases to most of Europe

  • ships in 4 to 6 weeks

  • please contact us to discuss custom sizing

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Nestled in the Nottinghamshire countryside, Patchings Art Centre provides an eclectic mix of classic and contemporary art. If you enjoy what you see here, treat yourself to a visit to our gallery and immerse yourself in the full-scale wonder of nature’s majesty captured through Pete’s lens.

There is a constantly changing permanent exhibition of Pete’s photography including his latest work, framed to exhibition standards and ready for you to take home and hang on your wall.

We’re delighted to say that following closures due to the pandemic, the gallery is now once again open every week from Wednesday to Sunday inclusive.

 

Location

Patchings Art Centre
Oxton Road, Calverton,
Nottinghamshire
NG14 6NU
UK

t: 0115 965 3479

 

Hours

Wednesday — Sunday
10am — 4pm

Monday — Tuesday
Closed


 Contact

landscape@petebridgwood.com

+44 7595 530315